The risen Jesus sends witnesses, and the Spirit forms a community whose reach keeps widening. Jerusalem, new peoples and the journeys of Paul shape the movement of the story. Opposition and disagreement accompany the growth rather than disappearing from it.
Follow the story across more than one scene. Keep track of people, places, decisions, and consequences, especially when the account changes its focus. What a person does in a narrative is not automatically what the reader is being told to do.
Notice how the narrator presents success, failure, memory, and responsibility. A brief note about what has changed can help you pick up the thread when you return to the next chapter.
The shape of the book
Use the outline to see the larger movement before settling into a chapter. Each section opens at its first chapter in the reader.
1The first book I wrote, Theophilus, concerned all that Jesus began both to do and to teach,
2until the day in which he was received up, after he had given commandment through the Holy Spirit to the apostles whom he had chosen.
3To these he also showed himself alive after he suffered, by many proofs, appearing to them over a period of forty days and speaking about God’s Kingdom.
4Being assembled together with them, he commanded them, “Don’t depart from Jerusalem, but wait for the promise of the Father, which you heard from me.
5For John indeed baptized in water, but you will be baptized in the Holy Spirit not many days from now.”
Which encounter asks the community to reconsider whom it is ready to welcome?
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Alongside this book
History & narrative
Joshua
Israel crosses the Jordan, faces conflict and receives its allotted land. The accounts include both faithfulness and failure, and end with a call to choose whom to serve. Read the violent scenes within this particular story rather than as permission for violence today.
Repeated cycles of oppression and rescue give way to deepening disorder. Even the deliverers are compromised, and the final stories expose devastating harm within Israel. The book invites an honest reading of power and violence, not admiration for every action it records.